Twista's Documentary Explores Music, Violence In Chicago

Twista's Documentary Explores Music, Violence In Chicago


Monday, August 30, 2010 2:03 PM

By Mike Winslow

Twista has released details behind a new bio-documentary, focusing on the chart-topping Chicago rapper's rise to fame.



The documentary was filmed in Chicago, New York, Los Angeles and Miami by The Vladar Company, the organization behind Big Pun: The Legacy.



The film will be distributed to physical and digital retailers by EMI Label Services, which will also distribute Twista's upcoming album.



“The objective of this film is to also cover various social topics such as the city’s history of violence and also to explore Chicago’s influence in music and culture,” said producer/director Vlad Yudin.



EMI will also handle the the licensing, retail marketing, licensing and synchronization for the Twista documentary, which will be released in October along with Twista's new untitled album.



“EMI is excited to continue working with Twista and are excited to be involved with Vladar’s film. We think Vladar’s documentary will truly capture what a unique and creative artist Twista is,” said Mike Harris, Executive Vice President and General Manager, EMI Label Services and Caroline Distribution. “We’re looking forward to all the exciting possibilities of working Twista’s next music project and Vladar’s film.”
 
From AllHipHop.com
 
http://allhiphop.com/stories/news/archive/2010/08/30/22354808.aspx

L.E.P. Bogus Boys Explain Chicago Rap Diversity, Gang Culture

L.E.P. Bogus Boys Explain Chicago Rap Diversity, Gang Culture
February 20, 2010 12:02:00 AM CST | by Jake Paine

The L.E.P. Bogus Boys have spawned from a street movement throughout the last decade. The Chicago trio of Count, Moonie and Bigg Rugg remains unsigned, but the group from the Harold Ickes Housing Projects is already getting support from national acts ranging from Jim Jones to Yukmouth ("Yellow Tape" ).

Count, with a quiet Moonie, spoke to HipHopDX recently to talk about their contribution to the Windy City's Rap legacy. "To be honest with you, I think we're in a different lane - the new class of valedictorians of this slab," Count asserts. "There's a lot of people that might be graduating, or have graduated, but we're the valedictorians of this new era. You've heard from a lot of genres and styles out of Chicago, but you still haven't heard from our environment, which has actually influenced all facets of life - from the gang culture to whatever."

The Low End Professionals have a history tied to the streets. Moonie recently returned from a five-year prison sentence. Count says that based on history alone, Chicago deserves a place in the lineage of Gangsta Rap. "Crips and Bloods, all that started in Chicago. A guy by the name of T. Rodgers took it to L.A. in '67, '68, somewhere around there. And it blew up. [Rap listeners] have heard from every element but the streets." With songs about hustling, robbery and the decayed surroundings of some of Chicago's neglected neighborhoods, the streets are alive in L.E.P. Bogus Boys' music.

Count still recognizes the acts that have before him, and explained to DX some of the city's geographic affects on the genre. "You've got two sides of the city: the Southside and the Westside. That's a Westside sound when they kind of twist their tongues, like Twista, Do Or Die and Crucial Conflict." Count mimics the syncopated flow that was birthed on the Westside before adding, "You would like to say that Kanye [West] is from the Southside, Common's from the Southside, No I.D. is from the Southside. You've got two different sections that's breeding two different sounds. It's all from one Chicago though."

Although the trio is definitely Gangsta Rap, Count, with Moonie agreeing in the background, recognizes the differences between the street organizations of yesteryear and today. "They had a cause and a reason back then. Now, it's just something to do." He continues, "Back then, gangs were started with a purpose and a reason - to protect blacks in our neighborhoods from the white police officers and the whites that would come into the neighborhood and beat blacks up, or do us any kind of way. Gangs defended us. When they started putting drugs and money into the community, which we were not accustomed to, it turned to something else. It birthed greed and selfishness."

The Low End Professionals hope to end that greed and selfishness. The group pounds their chest in proclaiming that they remain primary sources for street science at a time when Hip Hop uses hearsay to talk about dirt. Moreover, Count says that he and his brothers are the voice for the uncounted heads of both their city and the nation.

Rooted in Chicago, the unsigned act has been performing the States for the last several years. In particular, the group has a large following in North California. "From Oxnard to Oakland," says the unofficial leader, recalling doing spot date shows consistently for $2,500 to build a base. Count admits that the show fees may have been small, but those early appearances were seed money for the L.E.P. to purchase tour vans, before recently purchasing a tour bus.

With six videos shot between January 1 and February 1 of this year, the L.E.P. movement pushes hard into the new year. "The labels better put their money where their mouth is," says a confident Count. The group is already functioning better than some of the competition without the paperwork.

From HipHopDX.com

http://www.hiphopdx.com/index/news/id.10675/title.lep-bogus-boys-explain-chicago-rap-diversity-gang-culture